Perhaps it's just that I recently had to listen to I am sitting in a room for school, and I'm wondering whether simply taking the recording and playing it back through speakers, then re-recording it badly (outdoors, say, without a wind shield, or whatever else is appropriate for the film you're working on) would be a way to do it and get a natural sort of sound?
Failing that, what *is* dirty dialogue, really? Mostly it's ambient sound, wind, hum, that sort of thing, right? So can you just put some low-volume pink noise or a recording of street noise or whatever, on another track at low volume?
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branchandroot
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Date: 20/03/2012 11:25 am (UTC)Perhaps it's just that I recently had to listen to I am sitting in a room for school, and I'm wondering whether simply taking the recording and playing it back through speakers, then re-recording it badly (outdoors, say, without a wind shield, or whatever else is appropriate for the film you're working on) would be a way to do it and get a natural sort of sound?
Failing that, what *is* dirty dialogue, really? Mostly it's ambient sound, wind, hum, that sort of thing, right? So can you just put some low-volume pink noise or a recording of street noise or whatever, on another track at low volume?